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Venues
- Grand Théâtre
Workshops - Keynote Lecture - Symposia
Place du Théâtre, 21000 Dijon
See the map

- Palais des Ducs 
 Welcome Cocktail
Place de la Libération, 21000 Dijon
See the map

- Salle Devosge
Lunches - Poster Sessions
5 Rue Devosge, 21000 Dijon
See the map


How to reach Dijon
By plane: Dijon Bourgogne Airport, 6 km south of Dijon's downtown.
By train: TGV from/to Paris (1.35 hrs), Paris Charles de Gaulle Airport (1.35 hrs), Lyon (1.45 hrs), Zurich (2.25 hrs), Marseille (3.30 hrs), and other cities. Timetables and tickets: http://en.voyages-sncf.com/en/

 

Audience and official language
The Conference is intended for professionals involved in the study of the relations between neurosciences, music and development. The Conference is held in English.

 

Registration of participants at the conference 
Grand Théatre
May 29, 12.30-2 pm
 
Certificates and credits

Participants will receive the certificate of participation in the Conference at the end of the last session.

Changes
The Organizing Committee reserves the right to modify the program according to scientific or organizational considerations.

 

City information
www.visitdijon.com

 

DAY 3
Saturday, May 31
20.00

Jam session
Lets play music
• Tom Fritz’music fitness machine”
• Andrea Halpern’s Choir
• Musical performances by participants

On Saturday, May 31st 2014, the Jam Session “Let’s play music” will be held during the Neuromusic V conference in Dijon.
In three different rooms, you can attend an interactive musical experience and you may have an active role participating in the sessions.

Emmanuel Bigand and Andrea Halpern, as coordinators, are inquiring on participant's availability, and kindly ask them to send their feedback at the e-mail addresses provided below.

MUSICAL PERFORMANCES BY PARTICIPANTS
To be sent to: Emmanuel Bigand Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo. and Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo.
If you are interested to play either classical or jazz music on Saturday night, please answer the following questions:
- Which instrument do you play?
- Which piece would you prepare to play with other musicians?
- Will you have your instrument with you in Dijon?

ANDREA HALPERN’S CHOIR
To be sent to: Andrea Halpern (Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo.) and Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo.

Do you like to perform Early Music? I would like to organize a small choir to sing a few pieces in the Conference "jam session". Given our location, some obvious candidates would be composers of the Burgundian School, such as Guillaume Dufay. We could also mix and match with suitable Early Music type instruments. Please let me know of your interest/background, and voice part (or instrument).
Thank you.
Andrea Halpern

The poster submission form is now available online until March 15th, 2014.

Please, consider that one poster per presenting author is admitted.

The poster will be inserted into one of the following subthemes:

A - Music and development in children and adolescents

B - Music and adulthood

 A1.     Infants and toddlers
   B1.     Language, learning and memory
 A2.     Language and memory
   B2.     Pitch, rhythm, scale and tonality
 A3.     Behavior and developmental disorders
   B3.     Emotions, imagery and aesthetics
 A4.     Transfer effects on learning
   B4.     Neurological disorders and amusia
 A5.     Music education
   B5.     Aging and dementia
 A6.     Nature vs Nurture
   B6.     New Technologies (Cochlear impants, sensors, multimedia, etc)
 A7.     New technologies (cochlear implants, etc)
   B7.     Cultural studies


After the poster submission, you will receive a reply within a couple of weeks.

For any further information you may require, please contact: Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo.

Thanks to the partnership with the Municipality of Dijon and the cooperation with other institutions, a rich and diverse social program will complement the congress, starting from the Welcome Event hosted in the magnificent Palais des Ducs, next to Rameau’s native house. Indeed, the composer, harpsichordist, music theorist Jean-Philippe Rameau and his music will provide the fil rouge of the “social agenda”: a special way for the Neuromusic Community to celebrate the 250th anniversary of this original artist-scientist in his own town. Music will remain at participants'side continuously during the congress... Discover how!

Just before the start
WEDNESDAY, MAY 28
Concert Lecture «Autour du Trio pour violon, cor et piano de Ligeti» with Ensemble Intercontemporain
Le Consortium (37 rue de Longvic, Dijon) - h 18
Dimitri Vassilakis, piano / Jean-Christophe Vervoitte, horn / Diégo Tosi, violin / Nicolas Crosse, double bass
Pierre Michel, musicologist, professor at the University of Strasbourg
Program: P. Dusapin In & out / O.Messiaen Des canyons aux étoiles… / S.Gubaïdulina Sonate / A. Schönberg Fantaisie / J.Druckman Valentine / G. Ligeti Trio
INFORMATION: see the flyer

The official start
THURSDAY, MAY 29
Welcome Event
Palais des Ducs (place de la Libération, Dijon) - h 18.30-20.30
Welcome reception hosted by the Municipality of Dijon and the University of Bourgogne
with musical presentation about Rameau and music cognition
Patrick Ayrton, clavecin / Koninklijk Conservatorium Den Haag The Netherlands

 

Dedicated to Rameau @ 250 years
FRIDAY, MAY 30
Le Concert d’Astrée
Auditorium (place Jean Bouhey, Dijon) - h 20
A very attractive musical evening will be performed by Concert d'Astrée conducted by Emmanuelle Haïm with Stéphane Degout, one of the most celebrated baritones on today's stage. They will perform a bouquet of arias and concert pieces by J-Ph. Rameau, in an attractive programme which will also be at the center of a recording. Reduced tickets will be available for an event that should not be missed - for reservations please contact: Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo. 
INFORMATION: read all the details 

 

Playing and singing together
SATURDAY, MAY 31
Jam Session “Let’s play music” open to participants
Ancienne Faculté (36 rue Chabot Charny, Dijon) - h 20
In three different rooms, participants can attend an interactive musical experience and may perform in the instrumental and vocal sessions. Emmanuel Bigand and Andrea Halpern are coordinating availabilities and proposals of ensembles.
INFORMATION: read all the details 


In parallel to the Jam Session
SATURDAY, MAY 31
Le corps sonore / The sounding body
Hôtel Maleteste (7 rue Hernoux, Dijon)
- h 19 | Screening of the documentary «La Mélodie d’Alzheimer»
Through this documentary, Anne Bramard Blagny and Julia Blagny explore the importance of music for the care of people suffering from degenerative diseases such as Alzheimer's. The film includes interventions of researchers from CNRS, Inserm and Plan Alzheimer,with experts such as Emmanuel Bigand, Hervé Platel, France Mourey, Philippe Amouyel and Joël Menard.
- h 20 | Concert «Winterreise» (song cycle) by Franz Schubert - with Hugues Reiner, piano / Joachim Bresson, tenor
- h 22 | Discussion, followed by Reception

How music as a potentially life-saving resource can and should be made accessible to people with special needs and in marginalized conditions.

INFORMATION: see the flyer
RESERVATIONS: Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo. - tel. +33 3 80 30 47 11


If you have any problem to view correctly this page, please open the Program pdf

GRAND THÉÂTRE

09.30-12

OPEN PUBLIC SESSION
The power of music on brain and cognition
Le pouvoir de la musique sur le cerveau et la cognition

Chairs: Emmanuel Bigand and Bénédicte Poulin-Charronnat
CNRS, Dijon

ROUND TABLES

MUSIC AND SOCIETY

Bernard Descôtes
PESM, Dijon

Marc Leman
Ghent University

Raphaël Levron
Sacem

Robert Llorca
CRR de Dijon/Châlon sur Saône

Maria Majno
Fondazione Mariani, Milan

Matthias Röder
Karajan Institute, Salzburg

MUSIC AND SCIENCE

Simone Dalla Bella
Universitè Montpellier 1

Virginia Penhune
Laboratory for Brain, Music and Sound Research, & Concordia University, Montreal

Isabelle Peretz
Université de Montréal

Hervé Platel
Université de Caen

Severine Samson
Université Lille Nord

Daniele Schön
University of the Mediterranean, Marseille

Barbara Tillmann
Lyon Neuroscience Research Center

Robert Zatorre
Montreal Neurological Institute

MUSIC AND WELL-BEING

Eckart Altenmüller
Hannover University for Music Drama and Media

Alain Bonnin
Président Université de Bourgogne

Sonja Kotz
University of Manchester

Gérard Mick
CHU, Grenoble

Olivier Rouaud
Neuropsychologue Dijon


Patrick Ayrton
Harpsichord, Conservatory of The Hague and his friends

14.00 – 16.30
WORKSHOPS
Cognitive development and music


14.00-14.30
Music therapy with disorders of consciousness: current evidence and emergent evidence-based practice
Wendy Magee
Temple University.
Philadelphia, USA

Julian O’Kelly
Aalborg University in association with the Royal Hospital for Neuro-­disability, London, UK

14.30-15.00
The problem of poor-pitch singing: From internal mechanisms to pedagogical intervention

Poor pitch singing: a developmental view
Steven Demorest
Laboratory for Music, Cognition, Culture and Learning (MCCL)
School of Music, University of Washington, USA

Neural regulation of pitch perception and production
Psyche Loui
Music, Imaging, and Neural Dynamics (MIND) Lab, Department of Psychology
Program in Neuroscience and Behavior
Wesleyan University, USA

15.00-16.00
Research in Neuromusic - The EBRAMUS experience: where to go from here

 

General introduction to the EBRAMUS project: Europe Brain and Music - New perspectives for stimulating sensory and cognitive processes
Emmanuel Bigand
Université de Bourgogne, France

Presentation of research, network and training activities of EBRAMUS
Floris Van Vugt
IMMM, University of Music, Hannover, Germany & CAP, Lyon Neuroscience Research Center, France; now at McGill University, Montreal, Canada
Nicolas Farrugia
WSFiZ, Warsaw University, Poland & Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, Germany; now at Goldsmiths, University of London, UK

Discussion in the presence of EBRAMUS students and partners

16.00-16.30
Coffee break

16.30-17.30
KEYNOTE LECTURE
Cognitive plasticity in older adults: effects of cognitive training and physical exercise
Louis Bherer
PERFORM Centre
& Department of Psychology
Concordia University, Montréal, Canada

PALAIS DES DUCS

18.30-20.30
WELCOME COCKTAIL
by invitation of the Université de Bourgogne and Municipality of Dijon
A musical presentation about Rameau and music cognition
with Patrick Ayrton
Harpsichord, Conservatory of The Hague

GRAND THÉÂTRE

9.00-9.20
Official Welcome, from the representatives of the City/University

9.20-10.40
SYMPOSIUM I
MUSICAL EXPERTISE AND MORE ?

Chair: Sylvain Moreno

Promises of formal and informal musical activities in advancing neurocognitive development throughout childhood
Vesa Putkinen
University of Helsinki , Finland

The development and maturation of neurocognitive markers of musicianship
Dana Strait
University of Maryland, USA

Music training and brain plasticity during the development: a multidimensional model
Sylvain Moreno
Rotman Research Institute, Baycrest Hospital
& University of Toronto, Canada

How do we tease apart influences of music training from those of IQ, personality, and music aptitude?
Glenn Schellenberg
University of Toronto, Mississauga, Canada

 

Discussion 

10.40-11.00
Coffee break

11.00-12.20
SYMPOSIUM 2
MOVING ON THE BEAT OF MUSIC: BRIDGING TRAINING/REHABILITATION STRATEGIES AND TECHNOLOGY
Chairs: Simone Dalla Bella and Sonja Kotz

Sonification of movements for stroke-rehabilitation: two novel approaches to improve motor recovery by using advanced technology
Eckart Altenmueller
Institute of Music Physiology and Musicians’ Medicine
Hannover University for Music Drama and Media, Germany

Exploring music-to-movement alignment strategies for athletes and Parkinson patients with DJogger
Marc Leman
IPEM, Ghent University, Belgium

Music-induced stabilization of breathing and running
Benoit Bardy
Movement to Health Laboratory, EuroMov Montpellier 1 University, France

Effects of auditory cueing in Parkinson’s disease: beyond a motor benefit
Simone Dalla Bella
EuroMov, University of Montpellier 1, France

 

Discussion

Short walk from Grand Théâtre to Salle Devosges

 

SALLE DEVOSGES

12.30-14.00
Lunch

14.00-16.00
Poster session I

Short walk from Salle Devosges to Grand Theatre

GRAND THÉÂTRE

16.30-17.50
SYMPOSIUM 3
INDIVIDUAL DIFFERENCES IN MOVEMENT COORDINATION: EFFECTS OF TRAINING, APTITUDE, AND NEUROLOGICAL DISORDERS
Chairs: Peter Keller and Shinichi Furuya

Temporal prediction in musicians and patients with focal brain lesions
Peter Keller
The MARCS Institute
University of Western Sydney, Australia

Impaired movement timing in Parkinson’s disease and ADHD: rehabilitation and treatment strategies
Michael Hove
Harvard Medical School, Boston, USA

Acquisition and reacquisition of motor coordination in musicians
Shinichi Furuya
Faculty of Science and Technology
Sophia University, Japan

Motor timing and cognitive ability
Fredrik Ullén
Department of Neuroscience
Karolinska Institutet, Sweden

 

Discussion


SOCIAL PROGRAM 
Optional

AUDITORIUM

20.00
Concert “Airs & Symphonies de Rameau”
Barytone Stéphane Degout
Concert d’Astrée
conducted by Emmanuelle Haïm
for pre-reserved participation
for availability please contact the Secretariat

GRAND THÉÂTRE

9.00-10.20
SYMPOSIUM 4
MUSICAL RHYTHM AND LANGUAGE DEVELOPMENT: BASIC RESEARCH AND TRANSLATION TO RHYTHM-BASED INTERVENTIONS
Chair: Devin McAuley

Rhythm processing in developmental stuttering
Devin McAuley
Michigan State University, East Lansing, USA

At the rhythm of language: children’s slow temporal sensitivity and phonological processes correlate within Wernicke’s region
Ioulia Kovelman
University of Michigan, Ann Arbor, USA

Rhythm and literacy abilities: what is the relationship and can rhythm-based interventions help students with developmental dyslexia?
Jennifer Thomson
University of Sheffield, UK

Rhythm perception relates to syntactic production in children: implications for typical and atypical language development
Reyna Gordon
Neuroscience Lab
EEG/ERP Lab
Vanderbilt Kennedy Center, Nashville, USA

 

Discussion

10.20-10.40
Coffee break

10.40-11.25
SYMPOSIUM 5
TEMPORAL EXPECTATIONS IN A DEVELOPMENTAL PERSPECTIVE
Chairs: Barbara Tillmann and Daniele Schon 

Bridging dynamic attending and active sensing theories
Benjamin Morillon
Columbia University Medical Center, New York,USA

Short and long-term rhythmic intervention in language disorders
Daniele Schön
Institut de Neurosciences des Systèmes, Marseille, France

 

Discussion 

11.25-12.10
SYMPOSIUM 6
DANCE AND THE BRAIN: A NEW WINDOW TO STUDY BRAIN PLASTICITY
Chair: Virginia Penhune
Laboratory for Brain, Music and Sound Research, & Concordia University, Montreal, Canada

The impact of sensorimotor experience on affective evaluation of movement
Emily Cross
School of Psychology, Bangor University, UK & Radboud Universiteit Nijmegen, Netherlands

Long-term dance training changes brain structure
Krysta Hyde
International Laboratory for Brain, Music and Sound Research, Montreal & University of Montreal & McGill University
Montreal, Canada

 

Discussion


Short walk from Grand Théâtre to Salle Devosges

 

SALLE DEVOSGES

12.15-13.45
Lunch

13.45-15.45
Poster session II

Short walk from Salle Devosges to Grand Theatre

 

GRAND THÉÂTRE

16.10-17.30
SYMPOSIUM 7
THE BEAT: A STRUCTURED ENVIRONMENT FOR MOVEMENT, COMMUNICATION AND SOCIALIZATION
Chair: Katie Overy 

Motor responses to a steady beat
Katie Overy
IMHSD, Reid School of Music
Edinburgh College of Art, University of Edinburgh, UK

The importance of rhythm and interpersonal synchrony in social development
Laurel Trainor
Department of Psychology, Neuroscience & Behaviour
McMaster Institute for Music and the Mind McMaster University, Hamilton, Ontario, Canada

Beat perception ability and gait improvements in Parkinson’s disease
Jessica Grahn
Department of Psychology
Brain and Mind Institute
University of Western Ontario, London, Ontario Canada

Rhythm and synchronization in audition, speech and related disorders
Sonia Kotz
School of Psychological Sciences
University of Manchester, UK

 

Discussion


17.30-18.50
SYMPOSIUM 8
MUSIC AND EMOTION: IMPLICATIONS FOR THERAPY AND REHABILITATION
Chairs: Stefan Koelsch and Robert Zatorre

Functional neuroanatomy of music-evoked emotions: Implications for therapy
Stefan Koelsch
Freie Universität, Berlin, Germany

Musical pleasure and reward: mechanisms and dysfunction
Robert Zatorre
Montreal Neurological Institute, Canada

Music and beyond: effects of music and emotion on cognition and rehabilitation
Patrick Vuilleumier
University Hospital & University Medical Center & University of Geneva, Switzerland

 

Discussion

SOCIAL PROGRAM

 

Ancienne Faculté
36 rue Chabot Charny, Dijon
20.00
JAM SESSION
Let’s play music
• “Tom Fritz’”Music fitness machine”
• Andrea Halpern’s Choir
• Musical performances by participants
according to pre-registered programming
for possible additions please contact the Secretariat

Hôtel Maleteste
7 rue Hernoux, Dijon
Le corps sonore / The sounding body
19.00
Screening of the documentary
« La Mélodie d’Alzheimer »
20.00
Concert
“Winterreise” - A Winter Journey
Song cycle by Franz Schubert
Hugues Reiner, piano / Joachim Bresson, tenor
22.00
Discussion, followed by Reception
for pre-reserved participation
for availability please contact the Secretariat

 

GRAND THÉÂTRE

9.00-9.45 
SYMPOSIUM 9
THE ROLE OF MUSIC IN PROMOTING INFANTS’ WELL-BEING: CLINICAL AND RESEARCH PERSPECTIVES
Chair: Maria Cristina Saccuman

First sounds: NICU Rhythm, Breath and Lullaby research and practice
Joanne Loewy
The Louis Armstrong Center for Music and Medicine Mount Sinai Beth Israel Med Ctr; Albert Einstein College of Medicine New York City, USA

Singing interventions for forestalling or alleviating infant distress
Sandra Trehub
University of Toronto & Université de Montréal
Canada

 

Discussion

 


9.45-11.00
SYMPOSIUM 10
MUSIC COGNITION IN DEMENTIA
Chairs: Andrea Halpern and Jason Warren

Preservation of musical memory and engagement in healthy aging and dementia
Lola Cuddy
Queens University, Kingston, Canada

Music as a probe of social cognition in frontotemporal dementia
Jason Warren
Dementia Research Centre, UCL Institute of Neurology, University College London, UK

Musical tasks targeting preserved and impaired functions in two dementias
Andrea Halpern
Bucknell University, Lewisburg, USA

Efficiency of non-pharmacological treatments in dementia: the power of music
Severine Samson
University of Lille, Institut Universitaire de France and La Salpêtrière Hospital, Paris, France

11.00-11.45
General discussion and conclusions

 

Short walk from Grand Théâtre to Salle Devosges

SALLE DEVOSGES

12.00-14.30
Poster session III and farewell lunch

 

 

The Mariani Foundation announces the availability of 15 scholarships to the "Neurosciences and Music - V" conference in Dijon.

 


Eligibility:

- Applicants are required to send their CV with the accompanying letter to Questo indirizzo email è protetto dagli spambots. È necessario abilitare JavaScript per vederlo.
- Applicants are invited to send a poster (please enclose the poster title in the e-mail. Poster submission form will be available online from January 10th, 2014 in the relevant section)

 

Preference will be given to:
- Applicants presenting a poster
- Junior scientists coming from developing countries

 


Provisions:
scholarship includes
- The Conference enrolment (including the participation in the scientific sessions; the Conference proceedings; coffee breaks and lunches and a special welcome event)

Application deadline
The applications must be received by January 10th 2014. The Scientific Committee will assess all the applications and the list of the accepted applications will be published on our website in the following weeks.

 


 


Success!


Thank you for having submitted your poster form.
You will receive a reply within a couple of weeks.

Best regards


The Neuromusic Staff

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